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Retrotalk

My son Scott – who was born just after the worlds’ worst nuclear power disaster – once asked, “Who’s this Cher Noble I keep hearing about?”

It’s a rare parent who hasn’t been confronted with such verbal confusion. “You sound like a broken record,” for example, doesn't make much sense to a generation that grew up with iPod buds in their ears Terms such as “stuck in a groove,” and “flip side” could also be puzzling. Today's Gen-whatevers may not know who Mrs. Robinson is, why 1984 was a year unlike any other, or how to get to Peyton Place.

Think of this as retrotalk. Retrotalk is a slippery slope of puzzling allusions to past phenomena. Such allusions take the form of retroterms, linguistic artifacts that hang around in our national conversation long after the topic they refer to has galloped into the sunset. This could be a person, product, past bestseller, sporting event, acronym, or advertisement long forgotten. We all use the catchphrase Cha-ching!, for example, but few realize that this slang term for money was introduced in a 1992 ad for the Rally’s hamburger chain.

Our discourse is filled with such allusions. American talk includes repeated reference to things “we've all heard of.”  Except many of us haven't. Those who were born after what’s alluded to took place, who grew up in another country, or simply don’t get the reference are left out in the conversational cold. When a newspaper article included the line, “And by the way, have you stopped beating your wife?” one outraged reader wrote to ask why the paper would pose such an off-the-wall question. (Lawyers consider it the classic illustration of a question that can’t be answered without self-incrimination.)

Retrotalk tells the story behind words and phrases that we’re all thought to know about but may not.  Even familiar terminology can have a more interesting origin story than is widely known. “Skeleton in the closet,” for example, may originate in an old English yarn about an unfaithful wife whose husband made her kiss the skeleton of her onetime lover whom he’d put in a closet. Retrotalk is full of those stories. They explain where retroterms came from and why they’ve stuck around. Mrs. Robinson, the seductive character Anne Bancroft played in "The Graduate" is far more evocative than “an older woman who seduces a younger man.”  Cootie is much more fun to say than “lice,” zipless better than “spontaneous sexual activity.” Yet many who use such terms don’t realize that the former originated as World War I soldier slang, or that the latter comes from Erica Jong’s 1973 novel Fear of Flying.

Although meticulously researched, the tone of Retrotalk is casual. This book is like a friend explaining the context of puzzling terms, an affable tutor clarifying not just the meaning of you-had-to-be-there concepts but the background that gives them meaning. An introductory chapter on the prevalence of retroterms and their powerful appeal is followed by a consideration of old stories, jokes and legends that have left phrases behind in our language (e.g., “drop the other shoe,” “stick to your last”).  Subsequent chapters consider retroterms that grow out of children’s games, comic strips, radio shows, movies, commerce, politics, and events of the 1950s and 1960s that gave rise to such terms as “paint-by-numbers,” and “drink the Kool-Aid.” A concluding chapter considers The Future of Retrotalk.

 
 
 


© Ralph Keyes

 
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